Directed by: Marijan Vajda
Stars: Werner Pochath, Ellen Umlauf, Birgit Zamulo and Gerhard Ruhnke
Language: English
Country: Switzerland | Imdb Info
Also known as: Mosquito der Schänder, Mosquito the Rapist, Blood Lust, Bloodlust: The Black Forest Vampire, Bloodlust: The Vampire of Nuremberg
Description: By day, he is a quiet, anonymous clerk: isolated, mocked by co-workers, ignored by neighbors, and trapped inside a world he cannot fully communicate with. Unable to hear or speak, he moves through life like a ghost, absorbing cruelty without reply.
At home, his only companions are dolls.
Behind that silence lies a childhood of violence and humiliation. Flashbacks reveal a home poisoned by abuse, leaving him emotionally stunted, socially broken, and unable to connect with the living. The one fragile light in his life is a young woman in his building, a free-spirited neighbor who seems to belong to a world of movement, beauty, and freedom that he can only watch from a distance.
But loneliness has already curdled into something far darker.
At night, the man begins entering morgues and funeral spaces, drawn by a morbid fascination with blood and death. His actions become increasingly disturbing, and the police soon find a strange signature left behind: “Mosquito.” Newspapers turn the unseen intruder into a modern vampire figure, while the man himself sinks deeper into ritual, obsession, and delusion.
When the woman he secretly loves dies suddenly, the last fragile barrier inside him breaks. His private pathology spills into the outside world, and the city’s fear of the so-called vampire becomes horribly real.
Mosquito the Rapist, better known in some markets as Bloodlust, is not a conventional vampire film. There are no castles, capes, or supernatural curses here. Its horror is psychological, grimy, and grounded in human damage. The film moves slowly, almost silently, building a portrait of a man shaped by cruelty until his own loneliness mutates into violence.
Bleak, uncomfortable, and deeply strange, it stands as one of the more disturbing Swiss-German exploitation horrors of the 1970s — part true-crime nightmare, part necro-vampire study, part tragic portrait of a life collapsing into madness.
Legacy Note:
Mosquito the Rapist / Bloodlust is one of the most obscure and unsettling European shock films of the mid-1970s. Directed by Marijan Vajda and starring Werner Pochath, it is often linked to the real-life case of Kuno Hoffmann, the so-called “Vampire of Nuremberg,” though the film transforms that inspiration into a grim, stylized exploitation horror piece.
What makes the film linger is not only its gruesome reputation, but its strange tone. Much of it plays like a near-silent study of alienation: an abused man, a blackened apartment, a collection of dolls, hostile workplaces, gossiping neighbors, and a city that notices him only when fear begins to spread. The shock imagery is harsh, but the atmosphere is even harsher — cold, lonely, and almost documentary-like in its refusal to offer comfort.
It is not polished entertainment and certainly not easy viewing. But for collectors of Eurocult horror, Bloodlust remains a rare and troubling artifact: a film where the vampire myth is stripped of romance and reduced to trauma, blood, social rejection, and one man’s total collapse.
Trailer:
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